Credit: Tina Rowden / HBO
There are times when it feels as though the entirety of British horse racing exists in a state of perma-gloom, bewailing an ageing fanbase, declining attendances and a moribund, factional leadership. It is, so the narrative goes, a sport in slow but irreversible decline, waiting for the inevitable moment in 10 or 20 years’ time when someone finally comes along to turn out the lights.
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Following the press screening at the New York Film Festival, Jarmusch said in a Q&A that he didn't make this movie with a message in mind. To suggest there's a resolute message would be to misrepresent the gentle development of every section of this film. Yet viewed as a whole, I found FATHER MOTHER SISTER BROTHER breathtaking in what it has to say about family. On one level, it's a reminder that every family is different and the same. We are all connected by a bunch of experiences, big and small, that are just so common they might be overlooked without the focus of a filmmaker on them. But beyond that, FATHER MOTHER SISTER BROTHER is a cool, rich, and wonderful celebration of familial love, which binds us and defines us — but not entirely.